Florida’s preeminent pop metal band Torche have announced the title of their upcoming new album, Restarter, and its release date, February 24, 2015. This will be their first release for heavy metal label Relapse Records and fourth album overall. It will follow up their excellent 2012 full-length Harmonicraft.
Torche completed the recording of Restarter this past spring and it will contain 10 brand new tracks. Bassist Jonathan Nunez produced the record, with longtime collaborator Kurt Ballou (of Massachusetts metalcore pioneers Converge) mixing the set. Nunez described some of its sound to Rolling Stone in late March: “The music is like what we do, along with Motorhead: very driving, very heavy on the toms, real pounding rhythm section, the guitars are just nonstop, but with a melodic twist. Then the vocals come in and it’s this whole Psychedelic Furs – and maybe Guided By Voices – phrasing.”
Torche also just announced it will take a brief trek to Europe in late spring 2015 for dates in England, Scotland, Northern Ireland, Republic of Ireland, and France. Fans won’t have to wait that long to see the group live again, however. As previously announced in September, Torche, along with Lionize, will head out on a short U.S. tour in late December and early January to support hard rock titans Clutch.
More dates will surely be added in due time, but to keep up with all things Torche, be sure to go to their official website, torchemusic.com.
U.S. Tour Dates
December 27: Cincinnati, OH @ Bogart’s
December 28: Cleveland, OH @ House of Blues
December 29: Sayreville, NJ @ Starland Ballroom
December 30: Philadelphia, PA @ Electric Factory
December 31: Washington, D.C. @ The 9:30 Club
January 3: Atlanta, GA @ Center Stage
January 4: Lake Buena Vista, FL @ House of Blues
January 6: New Orleans, LA @ House of Blues
January 7: Houston, TX @ House of Blues
January 8: Dallas, TX @ House of Blues
January 9: Tulsa, OK @ Cain’s Ballroom
January 10: Austin, TX @ Emo’s
Note: This article was first published at Blogcritics Magazine
Showing posts with label heavy metal. Show all posts
Showing posts with label heavy metal. Show all posts
Thursday, November 06, 2014
Saturday, April 13, 2013
Judas Priest to Celebrate 40th Anniversary with Release of Epitaph Live Blu-ray/DVD
Judas Priest, one of England's most iconic and enduring heavy metal pioneers, is celebrating its 40th anniversary with a May 28 release of Epitaph (via Legacy Recordings, a division of Sony Music Entertainment), a live Blu-ray disc and DVD featuring 23 classic tracks recorded almost one year ago (May 26, 2012) on the final night of its final world tour ever (which was 50 weeks long). Recorded at the Hammersmith Apollo in London, this truly special release features at least one song from each of JP's 14 studio albums it recorded with legendary singer Rob Halford, from 1974's Rocka Rolla through 2008's concept album, Nostradamus. It is their most truly comprehensive live set to date.
Though Judas Priest initially started out in late 1970 with a different singer (Al Atkins) and had a more blues rock-based direction, 1973 marked the year Halford, one of the most gifted male singers in rock history, joined the band (which had also begun by then to take on a more hard rock/metal direction). Thus, Judas Priest is in essence celebrating the 40th anniversary of the start of the Halford era.
The upcoming release features the expected classic metal tracks and fan favorites from their '70s output, including epic cuts like "Victim of Changes," from 1976's Sad Wings of Destiny, along with "Hell Bent for Leather" and (their popular Fleetwood Mac cover) "The Green Manalishi (With The Two-Pronged Crown)," both of which are from the 1979 HBFL album. There are even more cuts from their '80s catalog (their most commercially successful period), including four from British Steel (hits "Living After Midnight," "Breaking the Law," along with the influential early speed metal classic "Rapid Fire" and "Metal Gods"), as well as more rarely played songs like "Blood Red Skies" (from 1988's Ram It Down).
The lineup for this one-of-a-kind show consisted of Halford, longtime guitarist Glenn Tipton, longtime bassist and band co-founder Ian Hill, drummer Scott Travis, and guitarist Richie Faulkner, who took over for retired six-stringer and band co-founder K.K. Downing in 2011.
The full tracklist of Epitaph, complete with an album index for all selections, can be viewed here. Fans will also be pleased to know that Judas Priest plans to follow this release up with a new studio album it is currently working on.
Note: This article was first published at Blogcritics Magazine
Though Judas Priest initially started out in late 1970 with a different singer (Al Atkins) and had a more blues rock-based direction, 1973 marked the year Halford, one of the most gifted male singers in rock history, joined the band (which had also begun by then to take on a more hard rock/metal direction). Thus, Judas Priest is in essence celebrating the 40th anniversary of the start of the Halford era.
The upcoming release features the expected classic metal tracks and fan favorites from their '70s output, including epic cuts like "Victim of Changes," from 1976's Sad Wings of Destiny, along with "Hell Bent for Leather" and (their popular Fleetwood Mac cover) "The Green Manalishi (With The Two-Pronged Crown)," both of which are from the 1979 HBFL album. There are even more cuts from their '80s catalog (their most commercially successful period), including four from British Steel (hits "Living After Midnight," "Breaking the Law," along with the influential early speed metal classic "Rapid Fire" and "Metal Gods"), as well as more rarely played songs like "Blood Red Skies" (from 1988's Ram It Down).
The lineup for this one-of-a-kind show consisted of Halford, longtime guitarist Glenn Tipton, longtime bassist and band co-founder Ian Hill, drummer Scott Travis, and guitarist Richie Faulkner, who took over for retired six-stringer and band co-founder K.K. Downing in 2011.
The full tracklist of Epitaph, complete with an album index for all selections, can be viewed here. Fans will also be pleased to know that Judas Priest plans to follow this release up with a new studio album it is currently working on.
Note: This article was first published at Blogcritics Magazine
Wednesday, September 22, 2010
Interview: Going Deep Into All Things Clutch With Singer Neil Fallon
Maryland-based hard rock quartet Clutch is and always has been without question one of the hardest working bands in the music business in the 20 years they’ve been together. They have nine studio albums out, along with some official and unofficial live releases, and a couple of DVDs. The group also performs at least 100 times per year on average, and that includes sets by their instrumental side project The Bakerton Group on occasion.
At the dawn of yet another set of shows, where Clutch will be one of two main supporting acts for former Ozzy Osbourne axe slinger Zakk Wylde and his band Black Label Society as part of the two month-long Black Label Berzerkus Tour that runs from late September to late November, lead singer/rhythm guitarist Neil Fallon did the media rounds for interviews all last week and weekend. I was lucky enough to get one of them.
On the afternoon of Saturday, September 18, I reached Fallon by cell phone and spent 25 minutes chatting with him about all things Clutch–I was home and he was located in a quiet area in a local IKEA store, of all places. The singer was gracious, low-key, funny, calm and of course, VERY informative, perhaps more so than any other recording artist I’ve ever interviewed (that includes Julian Lennon, Judas Priest singer Rob Halford, and Yngwie Malmsteen, among others).
Highlights include Fallon talking about Clutch possibly releasing a (mostly) acoustic-based EP as a future release, naming his least favorite album he’s recorded, and telling me how he REALLY thinks about some of the band’s former record labels (and how they successfully sued one of them).
If you’re a huge Clutch fan and care to know a lot more about Fallon and this band, get comfortable, grab a drink or snack and enjoy this interview.
Let me just start by saying congratulations on 20 years of being together as a band with Clutch, and getting hand-picked by Zakk Wylde to be one of the two main support acts on his Berzerkus Tour. That’s a pretty big deal, wouldn’t you say?
Yeah, it’s gonna be a good tour. We’re looking forward to it. We usually these days don’t go out for that long, but this is a special occasion and didn’t want to pass up the opportunity. [It] certainly doesn’t feel like we’ve been in the band for 20 years. It kind of donned upon me that this past August, I will have been in Clutch for more than half my life.
This is a short excerpt of an article that was first published in full at Blogcritics Magazine
At the dawn of yet another set of shows, where Clutch will be one of two main supporting acts for former Ozzy Osbourne axe slinger Zakk Wylde and his band Black Label Society as part of the two month-long Black Label Berzerkus Tour that runs from late September to late November, lead singer/rhythm guitarist Neil Fallon did the media rounds for interviews all last week and weekend. I was lucky enough to get one of them.
On the afternoon of Saturday, September 18, I reached Fallon by cell phone and spent 25 minutes chatting with him about all things Clutch–I was home and he was located in a quiet area in a local IKEA store, of all places. The singer was gracious, low-key, funny, calm and of course, VERY informative, perhaps more so than any other recording artist I’ve ever interviewed (that includes Julian Lennon, Judas Priest singer Rob Halford, and Yngwie Malmsteen, among others).
Highlights include Fallon talking about Clutch possibly releasing a (mostly) acoustic-based EP as a future release, naming his least favorite album he’s recorded, and telling me how he REALLY thinks about some of the band’s former record labels (and how they successfully sued one of them).
If you’re a huge Clutch fan and care to know a lot more about Fallon and this band, get comfortable, grab a drink or snack and enjoy this interview.
Let me just start by saying congratulations on 20 years of being together as a band with Clutch, and getting hand-picked by Zakk Wylde to be one of the two main support acts on his Berzerkus Tour. That’s a pretty big deal, wouldn’t you say?
Yeah, it’s gonna be a good tour. We’re looking forward to it. We usually these days don’t go out for that long, but this is a special occasion and didn’t want to pass up the opportunity. [It] certainly doesn’t feel like we’ve been in the band for 20 years. It kind of donned upon me that this past August, I will have been in Clutch for more than half my life.
This is a short excerpt of an article that was first published in full at Blogcritics Magazine
Friday, September 10, 2010
Music Review: Megadeth - Rust In Peace Live (CD + DVD)
Between Megadeth lead singer/guitarist Dave Mustaine's recently released memoir, lead guitarist Chris Broderick's Guitar World columns, and another mammoth world tour by the band itself, fans have certainly had some golden opportunities to get their fill of the heavy metal titans this year.
The original 22-show long North American leg of the 2010 Megadeth World Tour in March provided a special treat for longtime fans, a live performance of the band's entire seminal Rust In Peace album, which celebrates its 20th anniversary this year. Several other classics rounded each live set, of course.
The sold out March 31 show at the Hollywood Palladium was filmed and recorded, and now this week, released on CD, DVD and Blu-ray as Rust In Peace Live (on Shout! Factory). This review looks at the CD and DVD options.
AUDIO
A live recording that is 74 minutes long seems like a long concert. But with a fast-paced metal band like Megadeth, an hour and approximately fifteen minutes of ripping rifftastic metal goes by in a flash and leaves you wanting more. That is, of course, a good thing.
An audience of mostly young males leads the "ME-GA-DETH!" chants shortly before Dave Mustaine graces the stage to say "Good evening," a few more words, and then gets right down to business with the rest of the four-man clan.
The one-two punch of "Holy Wars ... The Punishment Due" and (the UFO-themed) "Hangar 18," followed by the war-based "Take No Prisoners" is a relentless trio of metal classics unmatched by any other opening set of songs in the band's catalog. And the sell-out hometown Los Angeles crowd ate up every bit of it.
The engineering and mixing of this performance is outstanding, as the listener is able to hear all instruments evenly, and also pick up various audience chants and sing-alongs very clearly. Take "Hangar 18," where the crowd spontaneously shouts "ME-GA-DETH!" along to drummer Shawn Drover's three accented beats during the extended solo section.
The only (minor) issue one could pick out is the lack of volume on the backup vocals to (personal favorite) "Tornado of Souls," which was otherwise a showstopper in and of itself here. But that was perhaps due to the way founding Megadeth bassist David Ellefson sang them more than the way it was mixed (by Ryan Greene). By the way, after being away for several years, Ellefson rejoined the band he co-founded shortly before the tour, and he sounded right at home throughout. At one point in the show, you could even hear a fan yell out "Welcome back!"
Note: This is an excerpt of an article that was first published in full at Blogcritics Magazine
The original 22-show long North American leg of the 2010 Megadeth World Tour in March provided a special treat for longtime fans, a live performance of the band's entire seminal Rust In Peace album, which celebrates its 20th anniversary this year. Several other classics rounded each live set, of course.
The sold out March 31 show at the Hollywood Palladium was filmed and recorded, and now this week, released on CD, DVD and Blu-ray as Rust In Peace Live (on Shout! Factory). This review looks at the CD and DVD options.
AUDIO
A live recording that is 74 minutes long seems like a long concert. But with a fast-paced metal band like Megadeth, an hour and approximately fifteen minutes of ripping rifftastic metal goes by in a flash and leaves you wanting more. That is, of course, a good thing.
An audience of mostly young males leads the "ME-GA-DETH!" chants shortly before Dave Mustaine graces the stage to say "Good evening," a few more words, and then gets right down to business with the rest of the four-man clan.
The one-two punch of "Holy Wars ... The Punishment Due" and (the UFO-themed) "Hangar 18," followed by the war-based "Take No Prisoners" is a relentless trio of metal classics unmatched by any other opening set of songs in the band's catalog. And the sell-out hometown Los Angeles crowd ate up every bit of it.
The engineering and mixing of this performance is outstanding, as the listener is able to hear all instruments evenly, and also pick up various audience chants and sing-alongs very clearly. Take "Hangar 18," where the crowd spontaneously shouts "ME-GA-DETH!" along to drummer Shawn Drover's three accented beats during the extended solo section.
The only (minor) issue one could pick out is the lack of volume on the backup vocals to (personal favorite) "Tornado of Souls," which was otherwise a showstopper in and of itself here. But that was perhaps due to the way founding Megadeth bassist David Ellefson sang them more than the way it was mixed (by Ryan Greene). By the way, after being away for several years, Ellefson rejoined the band he co-founded shortly before the tour, and he sounded right at home throughout. At one point in the show, you could even hear a fan yell out "Welcome back!"
Note: This is an excerpt of an article that was first published in full at Blogcritics Magazine
Sunday, May 23, 2010
Music DVD Review: Clutch - Live At The 9:30 (2-DVD)
This review was first published yesterday, May 22 at Blogcritics Magazine. This is just a short excerpt from it.
It’s become an increasingly popular trend over the past few years for veteran rock acts to give loyal fans the special live treat of playing a complete beloved album of theirs in its entirety live, and then some.
311, The Pixies, Judas Priest, Bruce Springsteen, the Lemonheads, and most recently Megadeth, among others have given their following a live take of classic albums, including respectively, Grassroots, Doolittle, British Steel, Born To Run, It’s A Shame About Ray, and Rust In Peace.
Last December, the mighty Maryland hard rockers Clutch gave fans in select cities the special holiday treat of performing its entire 13-track 1995 classic self-titled second album live, with some select new tunes from its 2009 studio release Strange Cousins From The West and a couple of other oldies rounding out most set lists. With concerts as rare as these, you bet some high-tech video cameras were rolling on select dates.
Released on May 11, well ahead of its latest world headlining tour which takes place in June and July, Live At The 9:30 is a 90-minute, 19-song concert double DVD that captures the quartet’s entire December 28, 2009, performance at the legendary 9:30 Club in Washington, D.C. on one disc, with a nearly two-hour road movie called Fortune Tellers Make A Killing Nowadays on the second DVD.
Rest the whole review at this link
It’s become an increasingly popular trend over the past few years for veteran rock acts to give loyal fans the special live treat of playing a complete beloved album of theirs in its entirety live, and then some.
311, The Pixies, Judas Priest, Bruce Springsteen, the Lemonheads, and most recently Megadeth, among others have given their following a live take of classic albums, including respectively, Grassroots, Doolittle, British Steel, Born To Run, It’s A Shame About Ray, and Rust In Peace.
Last December, the mighty Maryland hard rockers Clutch gave fans in select cities the special holiday treat of performing its entire 13-track 1995 classic self-titled second album live, with some select new tunes from its 2009 studio release Strange Cousins From The West and a couple of other oldies rounding out most set lists. With concerts as rare as these, you bet some high-tech video cameras were rolling on select dates.
Released on May 11, well ahead of its latest world headlining tour which takes place in June and July, Live At The 9:30 is a 90-minute, 19-song concert double DVD that captures the quartet’s entire December 28, 2009, performance at the legendary 9:30 Club in Washington, D.C. on one disc, with a nearly two-hour road movie called Fortune Tellers Make A Killing Nowadays on the second DVD.
Rest the whole review at this link
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