Music Review: Jimmy Eat World - Invented

Arizona's alternative rock/power pop legends Jimmy Eat World do not make throwaway albums. They are one of those bands who always records more repeat-worthy songs than not, but who set a new standard in rock that is so high, any future records will be judged by it for as long as they keep making them.

1999's Clarity is the group's masterpiece and always will be, as songs like "Crush" and "Ten" set the stage for the commercial emo movement (i.e. Fall Out Boy) in the decade that followed. But other, more pop punk groups (i.e. The Ataris) also followed in the footsteps of the band's near perfect power pop/post-punk follow-up, 2001's Bleed American, which featured hits "The Middle" and "Sweetness," among others. Those two records were the peak of Jimmy Eat World's creative powers.

And what they, along with its notably more aggressive, emocore-based major label debut Static Prevails (1996) have in common with its recently released seventh LP Invented is producer Mark Trombino (who also drummed for Drive Like Jehu). Can he help bring back the magic of any of those early records (not including the band's out-of-print self-titled 1994 debut record)?

There are indeed shades of J.E.W.'s 1999 masterpiece throughout the new record, for starters. For example, closer "Mixtape" has a cappella parts somewhat reminiscent of Clarity's closer "Goodbye Sky Harbor." But as singable as its chorus is, the slow-moving tune doesn't come close to the powerful and intense "Dizzy" (from its previous and sixth album, 2007's Chase This Light), which has to go down as the best album closer in the Jimmy Eat World catalog since the aforementioned "Goodbye Sky Harbor."

That said, there are quite a few hummable, memorable and rockin' tracks on Invented.  "Heart Is Hard To Find" opens the sound barriers up with heavy acoustics and a warm touch that makes one think the song would fit right in with the Bleed American record. (End of review excerpt)

This article was first published IN FULL earlier this evening at Blogcritics Magazine.

Music Review: Jawbreaker – Unfun (20th Anniversary Edition)

Long before the Blink 182s and emo-minded bands of the world took pop punk to the mainstream, San Francisco group Jawbreaker created a hardcore-influenced yet melodic, often times emotional and dark punk rock sound with an infectious pop edge that was way ahead of its time. They made influential records – four of them in five years between 1990 and 1995 - and did so without the help or need of heavy airplay on MTV, mainstream rock radio or social networking sites, having instead created buzz and success for itself in the indie/college rock radio realm.

Jawbreaker’s inspiration on punk and the emo movement is abundant. In 2003, a tribute album called Bad Scene, Everyone’s Fault was released by Dying Wish Records and featured the likes of a young Fall Out Boy, as well as punk veterans Face To Face, Sparta and others. Other more emo-ish acts like Saves The Day cite the Bay Area band as a prime influence, while Brand New, Rise Against and Lawrence Arms are among many punk rock bands who have covered Jawbreaker cuts. A punk band from Vancouver has even named itself after Jawbreaker’s landmark first album, 1990’s Unfun.

Remastered from the original analog tapes by John Golden and released at the end of March on Blackball Records, the 20th anniversary edition of Unfun is available in CD, digital and vinyl formats, the latter for the first time since 1992. Included along with the expanded CD version - from the original 12 tracks to 16 - is a 24-page booklet (with lyrics), the three tracks from the band’s debut 1989 EP Whack & Blite and the (unlisted) 7-inch version of “Busy.”

Throughout the album, you hear Jawbreaker’s raw and hard-driving sound, and for most tracks, it makes for memorable material. Hit college radio singles like the highly melodic and bass-led first track “Want,” for instance, gives listeners an immediate glimpse of the three-man band’s full sound and pop sensibilities, particularly on its catchy, “I Want You” chorus.

Read the full review at this link at Blogcritics Magazine, where it was first posted earlier today.